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The Women Who Celebrate Thesmophoriae is a dark and daring comedy that conducts an “archaeology of humour,” where past and present collide in a boundless act of revenge. A group of trans women, gathered in Demeter’s temple, decide not only to cancel but to kill Euripides, the playwright who portrayed them cruelly in his tragedies.

With sharp humour, the play uses Aristophanes’ original as a springboard to stage a dramatic debate rooted in contemporary issues.

But why, after all, are trans women not allowed to use the bathroom? And who, in the end, truly has freedom of speech?

Humour is used to serve and illuminate the present, raising tense questions around identity, power, and the symbolic violence embedded in the very idea of “representation.” What was once political satire has now become a weapon of revenge. Because yes… sometimes, you need to gather to plan the attack.



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Duration: To be confirmed
Age Rating: To be confirmed

The Women Who Celebrate Thesmophoriae, by Odete, will have its premiere on June 11 within the 8th edition of PT.25 - Portuguese Platform for Performing Arts, an initiative by O Espaço do Tempo in collaboration with Teatro Nacional D. Maria II.

Credits

Script and Creation
Odete

Based on
Aristófanes

Interpretation 
Ângelo Custódio, Áquila fka Puta da Silva, Cru Encarnação, Malia Imaan, Odete, Tita Maravilha

Makeup
Beatriz Neto 

Light Design
Bee Barros 

Staging Support
Mário Coelho 

Drama Support
Ricardo Braun 

Investigation Support
Gisela Casimiro, João Paulo André, Pedro Augusto, Puta da Silva

Production
Parasita

Co-production
Teatro Nacional D. Maria II

Production integrated on STAGES, a project co-financed by the European Union

Odete

Odete works between performance, text, visual arts and music. Her work is obsessed with historiographical writing, using erotics and paranoia as two somatic ways of relating to the archival materials. She writes through her body, speculating biographies of historical characters through epidermic pleasures: fashion, personality, presence, fragrance, grace, sensibility. She claims to be a bastard daughter of Lucifer, descending from the medieval practice of satanic pacts to alter one’s gendered body. Lately she has been researching and working around building connection points between “effeminate” histories, from the baroque Castrati to the 19th century dandies.