About questioning the (so-called invisible) bodies that leave home at sunrise and don't return until nightfall.
Bodies that can't afford to falter, not even for a second. Strange bodies, bodies in transit (there are all kinds of bodies, each with their own biography, but all with the same story).
Invisible bodies, carrying a story that nobody wants to tell or reveal. Bodies that most of the time inhabit uninhabitable spaces.
Creation, Direction and Dramaturgy
Joãozinho da Costa
Performed by
Mavá José and Joãozinho da Costa
Creation Support
Marlene Monteiro Freitas and Tiago Vieira
Light Design
João Chicó
Operations Assistant
Ana Luisa Novais
Music Composition
Tristany Mundu
Scenography
Joãozinho da Costa
Props and Costumes
Tchopin, Rolaisa Embaló and Joãozinho da Costa
Photography
Alípio Padilha
Video
Huba
Production
Gonçalo Rocha and Rolaisa Embaló
Co-Production
ARTEPÓLON ASSOCIAÇÃO, Câmara Municipal da Moita, Rua das Gaivotas 6/ Teatro Praga
Support
Direção Geral das Artes, Câmara Municipal da Moita, Centro de Experimentação Artística (CEA), Rua das Gaivotas 6, Centro de Iniciação Teatral Esther de Carvalho (CITEC)
Artistic Residency
Centro de Experimentação Artística (CEA), Centro de Iniciação Teatral Esther de Carvalho (CITEC)
Joãozinho da Costa has been collaborating since 2015 with Rui Catalão in works such as E Agora nós!, Assembleia, Jornalismo, Amadorismo, Hipnotismo, Último Slow. He also performed the solo A Rapariga Mandjako, inspired by his biography. He took part in the Radar 360 work Histórias em Viagem (2017) and was a performer in Mal - Embriaguez Divina (2021), by Marlene Monteiro Freitas; Anda Diana (2021), by Diana Niepce; and Tiago Vieira's Interior (2021). Worked with actor and director Welket Bungué on his creation Não, Somos Daqui. Isolated Acts (2023) succeeds Fidjo Di Tchon (2022) and Duas Peças de Xadrez (2021) as the plays' director.